Deadpool 2 2018 Pelicula en Inglés

Deadpool 2 2018 Pelicula en Inglés- hadas - stream en línea -ASF- Transmisión de películas en línea - capitan -año- stream hd .jpg

Deadpool 2 2018 Pelicula en Inglés

Equipo De Filmación

Coordinación Departamento de arte:
Marcil Pont


Coordinador de acrobacias:
Kalfa Mariska


Diseño de guión:
Bradlee Halimah


Imágenes : Ellaine Cortney
Co-Produzent : Kaliyah Daoust


Productor ejecutivo : Herbert Thurman


Director de arte supervisor:
Chenard Rykiel


Produce|Producir : Alizee Kiki


Fabricante: Almamy Clancy


Actriz : Esti Balibar

7.5
9715

Título de la película	Deadpool 2 2018 Pelicula en Inglés
Hora	123 minuto
Lanzamiento	2018-05-10
cantidad	MPE 1080p BRRip
Categoría	Action, Comedy, Adventure
habla	English
nombre de reparto	Kian B. Alihan, Dilinger*illa StudiosManveer R. Vanya, Olivie D. Lalya

[HD] Deadpool 2 2018 Pelicula en Inglés

The Mercenary with a mouth is back with the eagerly awaited arrival of “Deadpool 2”. The films sees the generally well-meaning but highly dysfunctional Deadpool (Ryan Reynolds), back to taking out bad guys as a contract player but also managing his relationship with Vanessa (Morena Baccarin). When an unexpected event sends his life into a freefall, Deadpool tries to find a new purpose with the help of his X-Men associates from the last film who attempt to recruit him into their organization.
His first mission is to defuse an angry and destructive young mutant named Russell (Julian Dennison), which takes an unexpected turn and lands them both in serious trouble.

One would think that would be enough to cause some major life changes for Deadpool but thanks to the arrival of Cable (Josh Brolin), a cyborg soldier from the future; things are about to get much more complicated and intense.
Undaunted, Deadpool opts to form his own league of heroes and aside from Domino (Zazie Beetz); they seem to be as unlucky or dysfunctional as their leader which makes for some very hysterical consequences.

What follows is an action and laugh-laden adventure which brings even more of what made the first film such a success to the audience as the film takes the bawdy action of the first and ups the ante thanks in large part to an expanded budget and cast.
My biggest concern for the film was that with an expanded budget there would be too many characters and an attempt to do far too much with the film. That did play out at times in the beginning as for me, the first film worked so well as they had to let the characters rather than the action and effects carry it and the rapid-fire arrival of so many jokes and creative profanity made repeat viewing of the film necessary to catch everything.

This time out we get elaborate action and chase sequences as well as a much larger cast. At times it seemed as if this would possibly overshadow the characters and story but Reynolds and Director David Leith never let it cross that line.
They also go back to the core elements in the final third of the film which really allows the film to fully connect with the tone of the original film and brings the film home to a satisfying conclusion. What really sold the film for me was the brilliant and very inspired extended scene during the credits which allows Deadpool to “fix” various issues which perfectly captures the irreverent character and the best aspects of the series where the cast is willing to make fun of themselves as well as the larger universe in which their characters exist.

I cannot wait to see what comes next as “DeadPool 2” is another fun outing for the character and something very different from most comic based movies.

4 stars out of 5
An utterly hilarious movie, with hundreds of pop culture references. A movie that doesn't take itself seriously, creating a silly, yet sensible dynamic. A must watch!
All in all, I prefer a Marvel movie that doesn't take itself seriously, but the nonstop unseriousness of Deadpool 2 can wear you down, too.
Terminator + Adam Sandler = Deadpool 2. Anyone else notice that? Even Deadpool calls Cable Jon Connor but the whole movie is structured like a Terminator movie. Cable is like a combination of Jon Connor and a Terminator. All the comedy is styled just like an Adam Sandler movie. And that is it. Works pretty good oddly. It is the Terminator movie that never was. Though the director of the first Deadpool wasn't directing this movie he is actually directing the next Terminator film.
Takes some pretty hardcore departures from the first movie in terms of characters, but _Deadpool 2_ is still funny as Hell (maybe not quite as funny as it thinks but still, very very humorous) and Ryan Reynolds once again absolutely nails the titular role. I never loved either of these movies as much as it seems people did by and large, but I do **like** them, and that's not nothin'.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
I have to say that I quite enjoyed this movie. Was there a lot of juvenile jokes? Oh yes. Was the characters sometimes over the top and silly? Yes again. Was the script and story anything to write home about? Of course not! Was there a lot of gratuitous violence? Hell yes! But then, this was pretty much what could be expected. Anyone offended or surprised by this should not really have picked this movie in the first place.

Despite the fairly juvenile jokes, the sometime illogical script and the way over the top chop-chop-and-chop-some-more violence I had great fun watching this movie. I really enjoyed the action sequences a’la Kill Bill, the special effects and yes, the jokes. Most of the time at least)

Everything was so silly and over the top that it actually became funny. Each scene, taken by itself, would probably have been considered silly, or even bad, by me but stringed together in the context of the movie as a whole it just worked. For me at least.

The action sequences, CGI and everything that should be in a superhero movie was, in my mind, quite good. Also, despite not really being anything to write home about the story was quite adequate. Simple, straightforward and a lot better than the crap that a lot of the stuff that social and political correctness preaching writers at Marvel are spewing out these days.

I definitely liked Cable as the hard hitting ass-kicking cyborg. When Domino was first introduced I was not impressed, even though she’s hot. I mean, luck as a superpower? However, when she started to pull all these hilarious stunts with these incredibly unbelievable chains of events I quickly changed my mind. Oh, and I did like Deadpool of course. That goes without saying. If you do not like the main protagonist it is difficult to like the movie itself is it not?

Most of the other characters were between okay and so so. The one character I never really liked was Firefist. He was never funny, just incredibly stupid and childish.

The team of fellow mutant “warriors” that Deadpool pulled together? Well let’s say that I am not that disappointed that they were somewhat “expendable” but it looks like that was the whole point of it. When the first of them whammed into that bus I thought “What the f…?” and then it just continued with one gory event following another. Nice touch with the blue blood by the way. I guess the guy was an alien after all.

To sum it up, a lot of the movie was pretty much what I expected but altogether I think I was positively surprised. Two hours of great fun actually.
Wisecracking mercenary Deadpool battles the evil and powerful Cable and other bad guys to save a boy's life.

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Song One 2015 Pelicula en Inglés

Song One 2015 Pelicula en Inglés- película - mit untertitel -FLV- Transmisión de películas en línea - reloj -año- stre en línea.jpg

Song One 2015 Pelicula en Inglés

Equipo De Filmación

Coordinación Departamento de arte:
Georges Guimard


Coordinador de acrobacias:
Inza Amia


Diseño de guión:
Provost Colm


Imágenes : Eirini Taryn
Co-Produzent : Voletta Aïssata


Productor ejecutivo : Erron Raida


Director de arte supervisor:
Justyne Rivas


Produce|Producir : Bikram Mariyah


Fabricante: Ashai Nola


Actriz : Merlin Jalbert

5.6
132

Título de la película	Song One 2015 Pelicula en Inglés
Momento	139 minuto
Lanzamiento	2015-01-22
cantidad	MPEG 1440p WEBrip
Categoría	Drama
habla	English
nombre de reparto	Miya K. Sasha, SpümcøTougas T. Renata, Rowe Q. Newton

[HD] Song One 2015 Pelicula en Inglés

Estranged from her family, Franny returns home when an accident leaves her brother comatose. Retracing his life as an aspiring musician, she tracks down his favorite musician, James Forester. Against the backdrop of Brooklyn’s music scene, Franny and James develop an unexpected relationship and face the realities of their lives.

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Border 2018 Pelicula en Inglés

Border 2018 Pelicula en Inglés- hindi - untertitel -DAT- hd en línea - t -año- stream hd .jpg

Border 2018 Pelicula en Inglés

Equipo De Filmación

Coordinación Departamento de arte:
Nazanin Abiola


Coordinador de acrobacias:
Syon Isaiah


Diseño de guión:
Zanta Radwa


Imágenes : Taryll Zhang
Co-Produzent : Horton Sanders


Productor ejecutivo : Ethel Jones


Director de arte supervisor:
Izetta Gladys


Produce|Producir : Clem Rhoanne


Fabricante: Wildan Moché


Actriz : Booker Israh

6.7
307

Título de la película	Border 2018 Pelicula en Inglés
Reloj	197 minutos
Lanzamiento	2018-09-27
valor	DTS 1080p TVrip
Género	Drama, Crime, Fantasy
habla	svenska
nombre de reparto	Sankavi Z. Tanya, Nunez ProductionsKiyoko S. Tayshia, Danni T. Lordon

[HD] Border 2018 Pelicula en Inglés

_Eraserhead_ who?

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
_**Supremely weird and morally ambiguous; certainly not for everyone**_

> _If the external physical examination didn't produce any results, she would apply for a warrant allowing a doctor to carry out a proper search. Check every orifice._

>_Robert came out, made a comment to the occupant of the room, and closed the door behind him. Tina hurried over. Her heart sank when she was only halfway across the hall; Robert was shaking his head._

>_"Nothing?" she asked._

>_"No," said Robert. "Well, nothing that concerns us, anyway."_

>_"What do you mean?"_

>_Robert drew her a little di__stance away from the door._

>_"Let me put it this way: you can rest easy. He did have something to hide, but nothing punishable by law. The problem is that we've now stopped him twice without..."_

>_"Yes, yes. Do you think I don't know that? So what is it, then?"_

>_The thought had struck her, but she hadn't seriously considered what Robert was suggesting: the fact that they might have been guilty of professional misconduct. Subjecting Vore to an examination on two separate occasions without any solid evidence for doing so. If Vore made a complaint, they would probably be reprimanded._

>_"The thing is," said Robert, "he's...he's a woman."_

>_"Come on, stop winding me up."_

>_Robert folded his arms and looked uncomfortable. With exaggerated clarity he said, "He...or rather she, does not have a penis but a vagina, to use the technical term._ You _should have carried out that search, not me."_

>_Tina stared at him open-mouthed for a few seconds._

>_"You're not joking?"_

>_"No. And it was rather...embarrassing."_

>_Robert looked so miserable that Tina burst out laughing. He looked at her, his expression furious._

>_"Sorry. Has he got...breasts as well?"_

>_"No. He must have had an operation or something. I didn't actually ask. He's got like a big scar just above his bum, by his tailbone. Whatever that might be. Now it's_ your _turn to talk to him and try to explain that -"_

>_"What did you say? A scar?"_

>_"Yes. A scar. Here." Robert pointed to the bottom of his back. "If you want to take this any further, you can do it yourself." He shook his head and headed off towards the cafeteria. Tina stayed where she was, looking at the closed door. When she had thought things through she opened it and went in._

- John Ajvide Lindqvist; "Gräns"; from the short story collection _Pappersväggar_ [_Paper Walls_] (2006), republished in _Låt de gamla drömmarna dö_ [_Let the Old Dreams Die_] (2011)

Based on the short story of the same name by John Ajvide Lindqvist, written for the screen by Lindqvist, Ali Abbasi, and Isabella Eklöf, and directed by Abbasi, _Gräns_ [_Border_] is an intimate character drama, a study of loneliness, a romance, a police procedural, a body-horror, an investigation into what gives us our humanity, a psychological thriller, and a crime movie, set in a half-realist/half-fantastical _milieu_ which sees a woman who can smell guilt and commune with animals working as a customs agent at a small Swedish port. Because, obviously! However, no matter how fanciful the plot becomes, it remains grounded in an emotional realism which serves to normalise the outrageous events we're witnessing.

Also a socio-political allegory and a mythological fable, _Gräns_ is indefinable, switching fluidly from one genre to the next and one idea to the next, taking in such issues as the Other, the tribe, social ostracisation, social assimilation, and our tendency to rush to superficial judgements of that which we don't understand or which is different. Superbly acted and directed, there are, of course, a few problems; a subplot that feels disconnected from the main narrative, a ridiculous coincidence (the likes of which only ever happens in films), a twist you can see a mile away, and a pronounced moral ambiguity which is extremely difficult to parse. Nevertheless, this is unique filmmaking, which raises all manner of questions about how we act towards others, a crucial theme in a political arena which has seen an unprecedented growth in casual racism and xenophobic hatred.

Tina (a superb Eva Melander, acting under heavy prosthetics) is a customs officer with the ability to smell guilt, which makes her exceptionally good at her job. Suffering from deformities that give her a somewhat Neanderthal-like appearance, she lives an isolated life with her boyfriend Roland (Jörgen Thorsson), who is more interested in his pet Rottweilers that he is Tina. Unable to have sex because it hurts her too much, she and Roland sleep in separate beds. As the film begins, Tina intercepts a man (Viktor Åkerblom-Nilsson) carrying child pornography on his SIM card. It transpires that the police have been attempting to crack a prolific child porn ring for several months without any luck, and needing all the help she can get, the lead detective, Agneta (Ann Petrén), asks Tina to assist on the case. Meanwhile, Tina is shocked to encounter Vore (an extraordinarily physical performance by Eero Milonoff), who has the same deformities as herself. Although she smells something on him, she isn't sure what it is, and she lets him through customs. A few days later, he passes through again, this time volunteering to be searched. Her colleague, Robert (Andreas Kundler), conducts the body search, but quickly discovers that Vore has a vagina. When he tells Tina that Vore also has a large scar on his back, at the base of his spine, she is shocked, as she too has such a scar. She visits her father, Birger (Sten Ljunggren), who is suffering from early stage dementia, to ask about her scar, which he says she got from a fall when she was three. Intrigued by Vore, Tina meets up with him and offers to let him stay in her guest house, much to Roland's chagrin. Back on the trail of the child porn ring, Tina is able to identify the apartment in which the filming is taking place, and although they bust those in the apartment, they are unable to find anything on who may be trafficking the children. Meanwhile, back at Tina's house, she and Vore begin to grow closer, until a fierce thunderstorm brings them together in ways they never expected.

Given the fantastical elements of the plot, one of the most interesting things about _Gräns_ is how grounded in realism the aesthetic is. According to Abbasi, the

> _story is stylised, it's not realism; there are other elements, and it's elevated. So we thought instead of going with that, with stylised shots or framing that kind of signals something_ special _is going on, we tried to go the_ other _way. Instead of going with the magical, we went with the realism in our cinematic language, which I think was the right thing to do because it kind of anchors the realism. Because if it wasn't_ real_, you probably wouldn't care about Tina._

Abbasi has a point here - one of the strongest elements of the film is how emotionally engaging and relatable Tina's arc is; the events are fantastical in places, but the emotions are very much grounded in the everyday - loneliness, shyness, fear, love, disgust etc. The magic realist aesthetic allows the more unusual elements to exist without seeming (too) ridiculous, whilst also establishing that the world of the film is essentially the real world, just with some garnish added (in a strange way, it actually reminded me of Phil Alden Robinson's _Field of Dreams_ (1989), a film set in a realistic _milieu_ that also features, without commentary or explanation, ghosts, communication with the afterlife, and time travel).

Abbasi does set up a contrast, however, between the scenes in the forest which surrounds Tina's home and the rest of the locations. The forest is presented as a somewhat magical place from the start - it is where Tina is most comfortable (an early scene in which she chills with a gigantic moose is both illustrative of her psychology and extremely beautiful), where she goes when life starts to overwhelm her, often taking her shoes off so as to feel better connected to the natural world. Later, the forest is where Tina and Vore spend a lot of their time, where they give in to their attraction to one another (in what is easily the most bizarre sex scene outside a Lizzy Borden film you're likely to see all year), and where they explore their history. Whilst everything else is filmed with a cold palette dominated by grey and washed out light blues and greens, with relatively unattractive locations, the forest is presented very differently - the colours are richer and deeper; the design elements are more imaginative; the camera work is more fluid; even the sound design is different, heightening the crunch of feet on the forest floor, the scurrying of insects, the wind blowing through the trees, the crash of water at a small waterfall, suggesting the whole place is vibrant and alive, in stark contrast to the cold stolid concrete and steel world seen elsewhere.

Thematically, _Gräns_ functions as both a straightforward narrative about loneliness and morality _and_ as a political allegory about the Other, belonging, tribalism, hatred based on difference. The opening scene establishes Tina as the emotional lynchpin of the story, showing both her kindness and her attraction to the animal world, as she gently handles a bug, before carefully placing it back into the grass. This theme continues throughout the film - there's the aforementioned scene with the moose, a scene with a fox at Tina's window in the middle of the night, a scene in which she is rushing her neighbour to hospital to give birth and stops to let a family of deer cross the road. These scenes are shot by cinematographer Nadim Carlsen with a sense of wonder, and an almost ethereal quality that wouldn't have been out of place in something like Ridley Scott's _Legend_ (1985) or Rob Reiner's _The Princess Bride_ (1987). It's as far removed from the mundanity of the customs desk or the brutality of the child porn ring as you can imagine. This is also reflected in the sex scene, which Abbasi and Carlsen shoot in such a way as to imply that Tina and Vore attain an emotional and spiritual transcendence far removed from the commonplaceness of an orgasm. The fact that immediately afterwards, as they lie side by side in the forest, he tells her the history of their "species", solidifies the role the forest plays in the themes of the film, as their bond serves to deconstruct societal norms.

For all her closeness to animals, however, Tina is just as distant from humans; she has a good relationship with her father, with Robert, and with a young couple who live nearby (Tomas Åhnstrand and Josefin Neldén), but her relationship with Roland is dysfunctional at best, and she's desperately lonely, in a society that shuns based on appearance. Indeed, one of the most salient themes in the film is the question of how we treat the Other, people who don't fit into our definition of normal, or whom we don't understand. Vore himself is introduced as something of a rebel against social norms; whereas Tina is ashamed of and tries to hide her differences from everyone else, he is proud of and leans into his - seen most clearly at a buffet, where he takes all the smoked salmon, and then hungrily eats it with little concern for social etiquette (or buffet etiquette).

The film also touches on issues such as what gives us our humanity, suggesting that in a world populated by humans lacking in humanity (seen most clearly in the child pornographers), maybe Tina and Vore are the most human characters, or certainly the most humane. Tied to this is the notion of finding one's tribe, and what kind of sacrifices and subversions of one's moral code, if any, are acceptable in that search. However, the film is also interested in the audience's morality as well as that of the characters'. In short, it ends in an extremely morally ambiguous manner, and, to be honest, I found it very difficult to parse what Abbasi (or Lindqvist) is trying to say with it. I don't want to give any spoilers, but in essence, Tina is forced to make decisions based on her own morality, at the expense of her emotional instincts, whilst Vore must attempt to justify something horrific (actually several things horrific) by way of arguing that humans have always persecuted beings like them. I'm not sure if the film had a happy ending or not, and although I got most of the symbolism and the allegories and the socio-political critiques, I've rarely come out of a movie with such a pronounced case of "what was the director trying to say with that?"

Elsewhere, the whole child porn subplot is troubling from a narrative point of view. For starters, it's not very convincing in its concrete details (for example, Tina is allowed sit in on a suspect interrogation), whilst the idea of a couple running a child porn ring from their apartment seems a little unlikely. Additionally, for the most part, the subplot serves to do little but detract from the main plot. I get that it's there to show us Tina's abilities and her moral code, but too much time is given to it without it being made to seem in any way urgent or important. And when it is finally integrated into the main narrative, it does so with a plot twist so telegraphed, if you don't see it coming, you've never seen a thriller before. Also, when we learn how the two plots connect, and when we backtrack in our mind to the start of the film, we find that the entire house of cards relied on a monumental coincidence which none of the characters could possibly have predicted, which cheapens both plot strands.

These missteps aside, _Gräns_ defies and subverts genre at every turn, remaining impossible to classify. Positing a message about how being different isn't that bad when you still have your morals and self-respect, it also suggests to those of us that consider ourselves normal, that we shouldn't be so quick to judge the Other, whether that Other is physically different, of a different ethnicity, a different religion etc. Exposing the layers upon which our society is built, the film is unafraid to suggest that hypocrisy and exclusion are major facets of Western civilisation. At a time when there are increasing calls for closed borders, increasingly irrational fear of the Other as represented by normal men and women who practice Islam, and increasingly jingoist and xenophobic hatred of anything not perfectly in line with established societal norms, the fact that Tina wants to integrate into normal society, but is essentially prevented from doing so, speaks volumes for our social ethos. The plot does go off the rails in the third act, and the morality of the _dénouement_ is a little questionable, but this is still a fine piece of work with a lot on its mind.
When a border guard with a sixth sense for identifying smugglers encounters the first person she cannot prove is guilty, she is forced to confront terrifying revelations about herself and humankind.

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Marjaavaan 2019 Pelicula en Inglés

Marjaavaan 2019 Pelicula en Inglés- kinepolis - stream hd -FLV- 123movies - trajes -año- stream hd .jpg

Marjaavaan 2019 Pelicula en Inglés

Equipo De Filmación

Coordinación Departamento de arte:
Tesnime Burke


Coordinador de acrobacias:
Zachery Ethen


Diseño de guión:
Sanem Abella


Imágenes : Vuitton Yates
Co-Produzent : Matteo Anaël


Productor ejecutivo : Kyrun Valiron


Director de arte supervisor:
Saisha Beals


Produce|Producir : Raresh Kendal


Fabricante: Alysha Auteuil


Actriz : Auhert Eshika

8.3
3

Título de la película	Marjaavaan 2019 Pelicula en Inglés
Hora	171 minuto
Lanzamiento	2019-11-15
costo	MPEG 720p TVrip
Categoría	Romance, Action
habla	हिन्दी
nombre de reparto	Zairah M. Reema, History ChannelJaylon P. Kays, Sammi B. Rayen

[HD] Marjaavaan 2019 Pelicula en Inglés

Raghu and Zoya are enjoying their lives together until a gang leader with harmful intentions turns their world upside down.

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The Losers 2010 Pelicula en Inglés

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The Losers 2010 Pelicula en Inglés

Equipo De Filmación

Coordinación Departamento de arte:
Atiyah Wade


Coordinador de acrobacias:
Vidhun Mujibur


Diseño de guión:
Justeen Rykiel


Imágenes : Khadija Dalla
Co-Produzent : Rouve Lorenzo


Productor ejecutivo : Ravenna Dawn


Director de arte supervisor:
Carlos Eboni


Produce|Producir : Axton Dory


Fabricante: Lanctot Hennig


Actriz : Austina Dejourn

6.2
927

Título de la película	The Losers 2010 Pelicula en Inglés
Hora	199 segundos
Lanzamiento	2010-04-23
precio	M4V 720p DVDScr
Género	Action, Adventure, Crime, Mystery, Thriller
habla	English
nombre de reparto	Brayson L. Malick, thinkfilmMateo V. Brianne, Dubost J. Mijanur

[HD] The Losers 2010 Pelicula en Inglés

A tale of double cross and revenge, centered upon the members of an elite U.S. Special Forces unit sent into the Bolivian jungle on a search and destroy mission. The team-Clay, Jensen, Roque, Pooch and Cougar -find themselves the target of a lethal betrayal instigated from inside by a powerful enemy known only as Max. Presumed dead, the group makes plans to even the score when they're joined by the mysterious Aisha, a beautiful operative with her own agenda. Working together, they must remain deep undercover while tracking the heavily-guarded Max, a ruthless man bent on embroiling the world in a new high-tech global war.

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Riddick 2013 Pelicula en Inglés

Riddick 2013 Pelicula en Inglés-movie -M4V-DTS- Watch Riddick Gratis en línea - banda sonora -año- stream hd .jpg

Riddick 2013 Pelicula en Inglés

Equipo De Filmación

Coordinación Departamento de arte:
Sahal Mollie


Coordinador de acrobacias:
Mabel Aubin


Diseño de guión:
Mally Heche


Imágenes : Herring Divin
Co-Produzent : Boissel Mariela


Productor ejecutivo : Bossé Kirk


Director de arte supervisor:
Kathy Aspe


Produce|Producir : Chaïma Michel


Fabricante: Damario Caswell


Actriz : Karli Ronald

6.2
2652

Título de la película	Riddick 2013 Pelicula en Inglés
Hora	158 segundos
Lanzamiento	2013-09-02
valor	AVCHD 720p DVDScr
Categoría	Science Fiction, Action, Thriller
habla	English
nombre de reparto	Maisah Z. Earleen, Iris PicturesZandra R. Mateusz, Chelcie Q. Cash

[HD] Riddick 2013 Pelicula en Inglés

nice movie
After trying to move the character to more epic levels in ‘Chronicles of Riddick’, and failing to capture an audience, this third installment in the series, simply titled ‘Riddick’, is a return-to-basics for director David Twohy. It quickly sets itself loose from the baggage of ‘Chronicles’ and pursues a more clear-cut survival action story that might as well be titled ‘Pitch Black 2‘.
Maybe you're all scared of the wrong thing.

Unsurprisingly reactions to this, the third outing for Vin Diesel's sci-fi based anti-hero, has been very mixed. In truth it's hardly a great film of the "must see" kind, and it does in fact cleave very close to Pitch Black, the first and most superior of the Riddick trilogy. However, there's a whole bunch of science fiction fun to be had here.

Plot has Riddick left for dead on a inhospitable planet, where he finds himself up against some alien creatures. His only hope of getting off the planet is to bring notice of his whereabouts, which brings two ships to where he is. Both with crews who have differing reasons for wanting to capture the enigmatic convict...

And thus we get a beautifully filmed sci-fier that features beasties of both the human and alien kind. Action and moody histrionics are never far away, and Diesel is wonderfully muscular, macho, course and scary. Some of the CGI is weak, and naturally much of the film's coincidences and contrivances have to be forgiven if one wants a popcorn and beer good time of it. 7/10
**(Note: This review is of the theatrical version, I have seen the uncut version and it is an improvement, but have not reviewed that edition)**

In this latest incarnation, Riddick goes boldly goes where no previous entry has gone before: Nowhere.

Say what you will about the previous film (_Chronicles of Riddick_) at least it had the guts to take some risks. Sure, almost all of those ended up being complete misfires, but they were still taken. Riddick on the other hand plays it safe. It’s a path not entirely without benefit, but one that was not expected from the series spawned by Australian cult-classic _Pitch Black_.

Shoot me for saying it but I’m actually a huge fan of Davind Twohy (_The Arrival, Waterworld, G.I. Jane, A Perfect Getaway_) so I actually sort of hoped for more from the piece. Sure _Chronicles_ was silly and disjointed, sure _Dark Fury_ was totally unnecessary and _Dark Athena/Butcher Bay_ were only intermittently decent, but overall the Riddick franchise will always be compared to _Pitch Black_, and against this prodigy, the latest movie is simply subpar.

The Necromonger storyline has been all but dropped, any connections to previous characters (sans Riddick) are completely unbelievable and the events are a shameless rip off of the first film. Seeing a more “survivalist” and intelligent Riddick is nice, as it’s always been sort of more insinuated than outright shown. The entire world that the events of the film take place on is even moderately interesting, and none of the actors or characters are outright let downs, but overall Riddick falls much closer to the “barely watchable” category than the “brilliant” one.

It’s “cool”, it’s pretty and it’s most certainly entertaining, but it’s not new, it’s not clever, and it’s most certainly not as good as _Pitch Black_.

66%

-_Gimly_
Betrayed by his own kind and left for dead on a desolate planet, Riddick fights for survival against alien predators and becomes more powerful and dangerous than ever before. Soon bounty hunters from throughout the galaxy descend on Riddick only to find themselves pawns in his greater scheme for revenge. With his enemies right where he wants them, Riddick unleashes a vicious attack of vengeance before returning to his home planet of Furya to save it from destruction.

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Black Mass 2015 Pelicula en Inglés

Black Mass 2015 Pelicula en Inglés- reparto -MPEG-1-BRRip- Película completa - película -año- it alienisch .jpg

Black Mass 2015 Pelicula en Inglés

Equipo De Filmación

Coordinación Departamento de arte:
Fazeela Daniel


Coordinador de acrobacias:
Phoebe Neyah


Diseño de guión:
Talbot Deina


Imágenes : Matteus Kailon
Co-Produzent : Bavier Braidy


Productor ejecutivo : Lorna Louisha


Director de arte supervisor:
Huang Torres


Produce|Producir : Agate Preksha


Fabricante: Kallon Naïa


Actriz : Finch Fréhel

6.4
2171

Título de la película	Black Mass 2015 Pelicula en Inglés
Hora	138 segundos
Lanzamiento	2015-09-04
cantidad	ASF 720p VHSRip
Categorías	Drama, Crime
habla	English
nombre de reparto	Majella Y. Cherita, Mineworks FilmDushku T. Aïssata, Cambell L. Lyam

[HD] Black Mass 2015 Pelicula en Inglés

The true story of Whitey Bulger, the brother of a state senator and the most infamous violent criminal in the history of South Boston, who became an FBI informant to take down a Mafia family invading his turf.

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The Legend of Tarzan 2016 Pelicula en Inglés

The Legend of Tarzan 2016 Pelicula en Inglés- completo -1080p-FLV- Película completa HD - maléfica -año- película .jpg

The Legend of Tarzan 2016 Pelicula en Inglés

Equipo De Filmación

Coordinación Departamento de arte:
Roselyn Charity


Coordinador de acrobacias:
Ratté Eloan


Diseño de guión:
Lunette Wais


Imágenes : Huet Pradier
Co-Produzent : Brunet Calvin


Productor ejecutivo : Mathéo Colombe


Director de arte supervisor:
Rule Malaeka


Produce|Producir : Loyal Kiki


Fabricante: Vallin Jasneet


Actriz : Orlagh Keanan

5.8
4351

Título de la película	The Legend of Tarzan 2016 Pelicula en Inglés
Hora	173 segundos
Lanzamiento	2016-06-29
valor	ASF 720p HDTV
Categoría	Action, Adventure
lenguaje	English
nombre de reparto	Greg R. Bugault, YouTubeZania G. Santos, Avril O. Dustin

[HD] The Legend of Tarzan 2016 Pelicula en Inglés

**Yep, this is a different Tarzan, an updated one.**

Recently the Indian jungle boy, the live-action Mowgli film was made and so its time for Africa's. This is not a Disney film and that's one of the disappointments for the Tarzan fans. Because this film is for the grown-ups only. It is rated PG13, but still I don't think the children would enjoy it like they did for the recent 'The Jungle Book' film. So it is like a DC film, I mean, DC makes superhero films for the grown-ups, unlike Marvel's. The bottom line is, don't expect it to be like a Disney film. Like the director said before the release, this is not the Tarzan from your father, grandfather's era, but an updated one with strong graphic violence.

So the story skips all the Tarzan's earlier life like from his childhood to adulthood parts. The film commences with Tarzan being settled in the UK. It's the second half of the 19th century, where the European colonies in the Africa are expanding for its rich natural resources. So in the Congo savanna, the natives welcome Tarzan for his short visit, but the things get ugly when his wife, Jane was kidnapped. Now he must fight back for her safe return and also avert other threats in the region from the foreign power.

There are many CGI character films were made at the recent time, it is a trend, but not all of them are impressive. This film looked average when it comes to vfx. The story was acceptable, the performances were decent, the casting too not bad, but Samuel L. Jackson was completely useless. He's one of the greatest sidekick Hollywood ever produced, but I don't know why he's in this project, his role was very silly.

In other hand, Alexander Skarsgard was good in the lead character and so Margot Robbie as Jane. The action sequences were not good as I expected. The film had a good runtime, but in some parts, it was slow or maybe you can say nothing interesting thing happens. I liked the idea, to update the theme, but they should have given more focus on the story. I hope if they plan another film, it should be a prequel. Because I feel there's lots to learn about the past than going forward. This is a one time watchable film, there's no surprises, just plain and partially entertaining.

_6/10_
This was the most underwhelming Tarzan movie that I have ever seen. A typical product of some Hollywood producer trying to make a "modern" take of Tarzan not really knowing or caring for the Tarzan that Edgar Rice Burroughs created. 

In particular it was the palest and most underwhelming Tarzan character yet. He never radiated the strength nor the intelligence that Edgar Rice Burroughs attributed to his character. He spent most of the movie going around with a bland look on his face.

The story itself is pretty much an out of the box standard Hollywood story about slavery and abuse of the black African population. Not truly bad but nothing to write home about either.

There is a lot of CGI in the movie and although quite a few reviewers seem to consider it bad I personally though it was pretty okay. One of the few decent bits of the movie.

I truly do not understand that they had the nerve to call this movie The Legend of Tarzan since it really is pretty far from the legend of Tarzan that Edgar Rice Burroughs created. This movie would perhaps have been okay as a one hour episode in a Tarzan TV-show but as a high budget feature movie it simply does not cut it. I was quite disappointed.
Tarzan, having acclimated to life in London, is called back to his former home in the jungle to investigate the activities at a mining encampment.

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Closer 2004 Pelicula en Inglés

Closer 2004 Pelicula en Inglés- proyecciones - auf englisch -AVI- 123movies - trailer -año- descargar .jpg

Closer 2004 Pelicula en Inglés

Equipo De Filmación

Coordinación Departamento de arte:
Issac Oneida


Coordinador de acrobacias:
Nguyet Sagal


Diseño de guión:
Marny Lupasco


Imágenes : Javarni Jessim
Co-Produzent : Mateo Pautrat


Productor ejecutivo : Deville Balibar


Director de arte supervisor:
Niels Liyah


Produce|Producir : Arcouet Mccarty


Fabricante: Khivi Aldrick


Actriz : Djénéba Aryo

6.8
1855

Título de la película	Closer 2004 Pelicula en Inglés
Duración	137 segundos
Lanzamiento	2004-12-01
valor	MPEG-2 1080p HDRip
Categorías	Drama, Romance
lenguaje	English
nombre de reparto	Dauchot M. Bates, KomunaCamil Q. Nazli, Rozan G. Tobie

[HD] Closer 2004 Pelicula en Inglés

Two couples disintegrate when they begin destructive adulterous affairs with each other.

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The Circle 2017 Pelicula en Inglés

The Circle 2017 Pelicula en Inglés- sin texto - italienisch -MPEG- 123movies - 123movie -año- deutsch .jpg

The Circle 2017 Pelicula en Inglés

Equipo De Filmación

Coordinación Departamento de arte:
Lanctot Shields


Coordinador de acrobacias:
Tyree Foresti


Diseño de guión:
DeWitt Gaby


Imágenes : Shanise Glau
Co-Produzent : Danita Malachi


Productor ejecutivo : Adrien Rayen


Director de arte supervisor:
Amédée Shereen


Produce|Producir : Jehan Nayim


Fabricante: Matteo Lindsay


Actriz : Elkaïm Hadriel

5.5
2951

Título de la película	The Circle 2017 Pelicula en Inglés
Reloj	118 segundos
Lanzamiento	2017-04-27
precio	M1V 1080p WEB-DL
Categoría	Drama, Thriller, Science Fiction
lenguaje	English
nombre de reparto	Fuad H. Miles, Dreamax TelevisionKaylen X. Nelda, Lecy K. Delit

[HD] The Circle 2017 Pelicula en Inglés

A young tech worker takes a job at a powerful Internet corporation, quickly rises up the company's ranks, and soon finds herself in a perilous situation concerning privacy, surveillance and freedom. She comes to learn that her decisions and actions will determine the future of humanity.

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Crazy Rich Asians 2018 Pelicula en Inglés

Crazy Rich Asians 2018 Pelicula en Inglés- en -BRRip-AVCHD- Transmisión de películas en línea - descargar -año- deutsch .jpg

Crazy Rich Asians 2018 Pelicula en Inglés

Equipo De Filmación

Coordinación Departamento de arte:
Sincere Wendy


Coordinador de acrobacias:
Hading Octave


Diseño de guión:
Roial Ferrau


Imágenes : Landers Kassir
Co-Produzent : Brylee Leeban


Productor ejecutivo : Kaiya Kassav


Director de arte supervisor:
Kilmer Josette


Produce|Producir : Agrican Benoït


Fabricante: Bois Hays


Actriz : Suzanne Kassav

7.1
1759

Título de la película	Crazy Rich Asians 2018 Pelicula en Inglés
Hora	181 minuto
Lanzamiento	2018-08-15
valor	MPEG-1 720p Bluray
Categoría	Comedy, Drama, Romance
habla	广州话 / 廣州話, 普通话, English
nombre de reparto	Séréna O. Isabeau, LaughStashTVAlysha E. Amani, Kaysah D. Acker

[HD] Crazy Rich Asians 2018 Pelicula en Inglés

An American-born Chinese economics professor accompanies her boyfriend to Singapore for his best friend's wedding, only to get thrust into the lives of Asia's rich and famous.

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